Wieden + Kennedy has a new episode of their D.I.Y. America series online. This one is about skateboarding and selling out.

I’ve been a fan of Kelsey Brookes for awhile now and this video is a great peek into his story. He’s an inspiring artist, not only in his work, but also in his attitude.

Cover art for Live at KEXP Volume 4

Let’s hear it for the honest and the authentic: KEXP! The coming together of an amazing, wonderful and extraordinary music community. (No corporate hacks found here.) If you aren’t a member, do consider it. You’ll be supporting some of the best efforts at keeping music alive and well today. The KEXP Podcast Songs of the Day (free downloads) are more than worth the membership. And not to mention their live albums they put out every year. (Yeasayer playing 2080 in their studios is one of the greatest things I’ve ever heard.)

Just to be clear, I have no ties to the station, other than I just think they kick so much ass, it isn’t even funny. I don’t even live in Seattle. But there is for sure a special place in my heart for KEXP. So listen up!

I love these maps by Raven Maps & Images. I’ve always had a deep respect for mapmakers. The level of detail and exactitude that goes into a map is a staggering task in my mind. Also, having seen enough shitty tourism maps, I’ve come to respect a well-made map. The Raven maps are designed by Allan Cartography and I love the warm colors and exquisite detail. Via.

Here’s a great video of Thomas Campbell preparing for his October 2009 exhibit Copenhagen, Denmark entitled “Ummmm.” I’ve always loved Thomas’ work but I think what I like almost as much as the finished product is his lighthearted approach to making. He’s a maker, a doodler, a sewer, a surfer… its just an inspiring way of life and this video does a great job of capturing it on film.

The Save the City project will bring together emerging artists and city residents to imagine and prompt creative social engagements and civic activation.

I recently discovered Broken City Lab: “an artist-led interdisciplinary creative research group that tactically disrupts and engages the city, its communities, and its infrastructures to reimagine the potential for action in the collapsing post-industrial city of Windsor, Ontario.” I really love the idea of “MAKE THINGS HAPPEN.” I’m blown away by all the projects and research on the site. And I guess I’m still processing all the radness. So yeah, please just visit their site.

Broken City Lab’s creative activity is located at the intersection of social practice, performance, and activism. The lab attempts to generate a new dialogue surrounding public participation and community engagement in the creative process, with a focus on the city as both a research site and workspace. It is not about doing the work of the city’s officials, or social workers, or politicians; it is about finding new creative ways to address our concerns with the city, while recognizing that our concerns may be similar to those of other community members.

Majora Carter visits Omaha. Design by Metro Community College.

The Environmental and Community Design of Majora Carter 

“We create an environment where all dreams can thrive.” How’s that for a 21st century definition of environmentalism? I was able to see Majora speak at the Green Constitutional Congress (part of Dialog:City) during the DNC in Denver in 2008. It was a roundtable discussion led by Bruce Mau that looked at the future of environmental action and what it means to strive for sustainability. Both inspiring and challenging, her vision is one of finding the hidden potential of an area. Of adding the moral costs of denying future generations a clean and productive planet. And of working together to change the world. 

Design Alliance Omaha and Metro Community College are hosting a lecture by Majora Carter at the Joslyn in Omaha on Thursday the 25th of February at 7 PM. If you’re in the area, you should definitely attend.

Pecha Kucha Night

I love PechaKucha. A community of creative individuals get together. They present the finer aspects of their work in a rapid fire, fast and furious format. Each person gets 20 slides, 20 seconds per slide, and an engaged audience. It’s too short to get boring, and it moves too quickly for a presenter to get long-winded. Basically, an artist, designer, painter, photography, architect, or whomever, gets to show off in front of a group of friendly, interested people. It’s a lovely little form of cultural entertainment. If there’s a PechaKucha happening where you live, please go. If not, start a city.

From the official site: PechaKucha Night was devised in Tokyo in February 2003 as an event for young designers to meet, network, and show their work in public. It has turned into a massive celebration, with events happening in hundreds of cities around the world, inspiring creatives worldwide.

45,000 deaths per year.

Our attempt at health care reform has just been sad. Pathetic. We certainly don’t get any good marks for our “democratic process.” For whatever reason, we have nothing to show for the effort. Except knowing that premiums will rise and people will continue to die because they can’t get the health care they need because they can’t afford it. How’s that for a “death panel?”

via GOOD

poster on ETSY 

2010 TED Prize Wish: “I wish for your help to create a strong, sustainable movement to educate every child about food, inspire families to cook again and empower people everywhere to fight obesity.”

Watch his talk at TED.com: Sharing powerful stories from his anti-obesity project in Huntington, W. Va., TED Prize winner Jamie Oliver makes the case for an all-out assault on our ignorance of food.

Quite a TED performance. Personal. Political. Passionate. If we’re going to make lasting changes in our society, we HAVE TO directly challenge “conventional wisdom” and those powerful interests who want to keep things exactly as they are. Some of what comes out of a challenge like that is going to be uncomfortable. It’s going to come with ridicule. Probably some ruthless assaults from the “free-marketeers.” But to fix our ills, we’ve got to hit ‘em head on.